
Seattle-based singer, songwriter, and cultural force Eugenie Jones is set to captivate the jazz world with her highly anticipated self-titled album, EUGENIE. Known for her smooth, powerful vocals and insightful songwriting, Jones has drawn comparisons to legends like Abbey Lincoln and Nina Simone. Her latest release, produced by bassist Lonnie Plaxico, is already generating critical acclaim and promises to be a standout in contemporary jazz.
The album features contributions from a stellar lineup of 16 musicians, including New York talents such as pianists Brandon McCune and Mamiko Watanabe, saxophonist Rico Jones, trumpeter Gil Defay, and string instrumentalists Jessica Wang and Yoojin Park. These artists bring their unique styles to EUGENIE, creating a lush and dynamic soundscape that complements Jones’s captivating narratives.
With 13 tracks blending six originals and seven reimagined classics, EUGENIE takes listeners on a journey through themes of passion, betrayal, and empowerment. Highlights include the self-declarative “Why I Sing,” the soulful “Starlight Starbright,” and her stirring interpretation of Aretha Franklin’s “Natural Woman.” Critics have praised the album for its emotional depth, with The New York City Jazz Record calling it “a winner” and other reviews lauding its evocative storytelling and lush instrumentation.
Beyond her artistry, Jones is deeply committed to preserving jazz’s cultural legacy. She has led Seattle’s Jackson Street Jazz Walk for seven years, celebrating the city’s historic African American jazz community and raising funds for local nonprofits. Through concerts and educational events, Jones continues to honor the music and its transformative power.
New York jazz enthusiasts can experience EUGENIE starting January 20, 2025, when it becomes available on all major streaming platforms. Pre-orders, including CDs, USBs, and digital downloads, are open now at Eugenie Jones Bandcamp. With its compelling mix of originals and fresh interpretations, EUGENIE promises to resonate deeply with audiences and reaffirm Jones as a leading voice in modern jazz.





